These are constructed by filming a drawing, making erasures and changes, and filming it again.

William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films.

Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox.Articles from Britannica Encyclopedias for elementary and high school students. Authors Corinne Louw, Alexandra J. Dodd, Gahlberg Gallery; Publisher Gahlberg Gallery, McAninch Arts Center, College of DuPage, 2001 To reincarnate these figures into tapestry, Kentridge worked in close collaboration with the Johannesburg-based Stephens Tapestry Studio, mapping out cartoons from enlarged photographs of the drawings and hand-picking dyes to colour the locally spun mohair (goat hair).Kentridge's works are included in the following permanent collections: Kentridge's Five Themes exhibit was included in the 2009 Kentridge's artworks are among the most sought-after and expensive works in South Africa: "a major charcoal drawing by world-renowned South African artist William Kentridge could set you back some £250 000".The South African record for Kentridge is R2.2 million ($250,000), set at Stephan Welz in Cape Town in 2010.

In his works, unlike in traditional animation that employs multiple drawings to denote change and movement, Kentridge erases and alters a single, stable drawing while recording the changes with stop-motion camera work.

A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art. Get 30% your subscription today. Working with what is in essence a very restrictive media, using only charcoal and a touch of blue or red pastel, he has created animations of astounding depth. His animations deal with political and The political content and unique techniques of Kentridge's work have propelled him into the realm of South Africa's top artists. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time.

William Kentridge, (born April 28, 1955, Johannesburg, South Africa), South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s.

He has staged Kentridge's protean artistic investigation continues in his series of tapestries begun in 2001.

In 1979, he created 20 to 30 In 1987, he began a group of charcoal and pastel drawings based, very tenuously, on Watteau's In 1996-1997, he produced a portfolio of eight prints titled "My drawings don't start with a 'beautiful mark'," writes Kentridge, thinking about the activity of Between 1989 and 2003 Kentridge made a series of nine short films that he eventually gathered under the title For the series, he used a technique that would become a feature of his work - successive charcoal drawings, always on the same sheet of paper, contrary to the traditional animation technique in which each movement is drawn on a separate sheet. Biography In his drawings and animations, William Kentridge articulates the concerns of post-Apartheid South Africa with unparalleled nuance and lyricism.

Best known for his animated drawings, the central focus of Kentridge’s oeuvre has been …

William Kentridge stands assured as an exciting visual artist, a profound philosopher, and a subtle symbol for peace. While he does not portray it as the militant or oppressive place that it was for black people, he does not emphasise the picturesque state of living that white people enjoyed during In the nine films that follow Soho Eckstein's life, an increasing vehemence is placed on the health of the individual and contemporary South African In 1988, Kentridge co-founded Free Film-makers Co-Operative in Johannesburg.



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