But Rohrwacher isn’t borrowing from this tradition to sell picturesque nostalgia or political piety. Accetto che i miei dati vengano utilizzati secondo la politica di trattamento della privacy consultabile cliccando su “Lazzaro is ‘to be in the world’, it is the possibility for men to be good” the director, , states. The guileless young man’s journey through a world of traps and terrors is a plot as old as civilization itself, perpetually renewable and endlessly bewitching.What makes “Happy as Lazzaro” a great movie, though — a film that acquires new depths of emotion and meaning each time you see it — is the piercing clarity of Alice Rohrwacher’s vision. It’s telling, and essential, that one might mistake—or even knowingly conflate—one for the other. Socio Unico Ministero dell'Economia e delle Finanze i cui diritti del Socio sono esercitati dal Ministero dei Beni e delle Attività Culturali
The film’s only antidote to despair may be its own beauty. Happy as Lazzaro is a biblical parable of rebirth, of goodness, of hope – Lazzaro is David and the world is Goliath. She is a character that has truly existed, leaving a trace in all the other characters. spoiler: click to read. The story of San Francesco is not expressly portrayed but it is present, and was inspired by a children’s book by Chiara Frugoni, that had enchanted me because there is no moral dialogue between Francesco and the wolf, to make the animal good, the animal simply approaches the saint while he is asleep and doesn’t eat him because he feels that he is in peace, and he won’t hurt him. Whether simpleton or saint, he stands as an exception to the general human rules of treachery and domination. In that, it should be sufficient to identify Lazzaro’s resulting journey as a spiritual time-travel that introduces a mystery akin to the twist in Tomris Laffly is a freelance film writer and critic based in New York. This is part of why I've said that I both view Lazzaro as someone to aspire to be, but also as a warning of what can happen to people who don't use their better judgement. You in part have Lazzaro, the guileless, cherub-faced soul of the film, to thank for that. Lazzaro is a worker on the farm who dutifully follows every command given to him by the Marchioness, her son, Tancredi, and the estate manager. Happy As Lazzaro opens in a few theaters on the same day that it premieres on Netflix — which, ... especially the wolf with its telepathic connection to the protagonist. With Happy as Lazzaro, Rohrwacher has crafted a magic-realist fable that doubles as an origin myth for a modern Italy subsumed by corruption and decline. On an estate called Inviolata, isolated since 1977, 54 farmhands work on a tobacco farm in a sharecropping arrangement, where they are constantly in debt and thus unpaid. An unceasingly kind Italian peasant and his … The characters are people, the workers, and hence incarnate the present time, the present world, in which Lazzaro is necessarily immersed, up to the gratuitous violence of the epilogue: “Elsa Morante use to say that ‘we have gone from the early medieval ages to the second medieval age’, so, to put it in the words of one of our literary geniuses – Alice sais – the film attempts to portray the moment of passage from a historical medieval time to a more human one, of disintegration and constant struggle. Naturally we, Alba included, support this stance: yesterday we felt a real and symbolic, important emotion, 82 women representing the 82 female film directors that have presented films at the Cannes Film Festival, this is an image that speaks and that must be able to speak...”Lazzaro is not a new story, as Alice Rohrwacher admits, and had no pretense of being so: “it is a recurrent story, but I think it can be told in a different way”, and supporting this, the director talks about the technical aspect of the film: “we worked on it in full frame, this can be seen as an aesthetical, slightly vintage, choice, but in fact we chose to apply a matte box for Lazzaro, leaving the frame open, because this openness was what we experienced in making the film”.